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Virgilio Vasconcelos

Virgilio Vasconcelos' keywords: GNU/Linux; Technics; Ailton Krenak; Fedora; Research; Cosmotechnics; Gilbert Simondon; Heterotopias; Punk Rock; Gilles Deleuze; Blender; Copyleft; Remix; Pierre Bourdieu; Education; UFMG; OpenToonz; Free Software; Krita; Democracy; LUCA School of Arts; Python; Bernard Stiegler; Rigging; Donna Haraway; Noam Chomsky; David Graeber; Perspectivism; Diversity; Re:Anima; Debian; Digital Animation; Decolonial thinking; Animation; Privacy; Michel Foucault; Digital Arts; Paulo Freire; Art; Open Access; Ubuntu; Jacques Derrida; Re-existence.

About

I'm an Animation Professor at LUCA School of Arts, campus C-mine in Genk, Belgium. I teach at the Re:Anima Joint Master in Animation and I'm a senior researcher at the Genk Research Unit, in the 'Critical reflections of and through animation' cluster. My research interests include philosophy of Technics, power relations inscribed in and reinforced by technical objects, and decolonial perspectives in animation. Previously, I was an Animation Professor at Universidade Federal de Minas Gerais (UFMG), in Brazil. MFA and PhD by the Graduate Program in Arts at EBA/UFMG. I'm also a free software advocate, animator, rigger and I also like to code. You can see some of my works and know a bit more about me at:

ORCID LUCA School of Arts/KU Leuven LinkedIn YouTube



Blender Animation Book

I've written a book about Rigging and Animation in Blender for Packt Publishing. You can get the files here.

Old Blog

Yes, I had a blog. Haven't updated it since 2011. Anyway, if you need something from there I have kept backwards compatibility and you can read it below.

Great looking Zombies

Is now online the first Beowulf trailer, the new Robert Zemeckis movie (yes, the guy behind the zombie looks of Polar Express and Monster House).

Another great render work. I say RENDER, because there's no animation: just motion capture (aka mocap). OK, there is an insanely laborious work of "cleaning up" the captured data, but there's not animation in the essence of the latin word "anima" (soul) meaning something like "bringing life and soul to things". The guys/girls who work with this data don't create the performance, they clean it up.

Although it is aesthetically interesting, it has that "zombie-like" movements like any other mocapped film.

I really want to know the logic behind modeling Angelina Jolie's full body, recording her voice and capturing her movements but not using her on the film! Its as weird as that awful Orville Redenbacher resuscitation.

 

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