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Virgilio Vasconcelos

Virgilio Vasconcelos' keywords: Digital Arts; Re:Anima; Donna Haraway; Animation; LUCA School of Arts; Michel Foucault; Remix; Ubuntu; Noam Chomsky; Bernard Stiegler; Copyleft; Free Software; Privacy; Debian; GNU/Linux; Blender; Heterotopias; UFMG; Research; Diversity; Open Access; Gilles Deleuze; Punk Rock; Perspectivism; Art; Python; Technics; David Graeber; Digital Animation; Rigging; Cosmotechnics; Education; Ailton Krenak; Decolonial thinking; OpenToonz; Pierre Bourdieu; Democracy; Krita; Paulo Freire; Jacques Derrida; Gilbert Simondon; Fedora; Re-existence.

About

I'm an Animation Professor at LUCA School of Arts, campus C-mine in Genk, Belgium. I teach at the Re:Anima Joint Master in Animation and I'm a senior researcher at the Inter-Actions Research Unit. My research interests include philosophy of Technics, power relations inscribed in and reinforced by technical objects, and decolonial perspectives in animation. Previously, I was an Animation Professor at Universidade Federal de Minas Gerais (UFMG), in Brazil. MFA and PhD by the Graduate Program in Arts at EBA/UFMG. I'm also a free software advocate, animator, rigger and I also like to code. You can see some of my works and know a bit more about me at:

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Blender Animation Book

I've written a book about Rigging and Animation in Blender for Packt Publishing. You can get the files here.

Old Blog

Yes, I had a blog. Haven't updated it since 2011. Anyway, if you need something from there I have kept backwards compatibility and you can read it below.

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2009-Feb-15: Coraline

Last Friday (Feb, 13th) Coraline had opened in Brazilian theaters. I must say I couldn't wait any longer. :)

I had some great expectations on this movie, and they were more than satisfied! This movie is awesome: flawless animation, beautiful models and an intriguing and captivating story. If you haven't seen it yet (and if the movie is already on a theater near you) do yourself a favor and go watch it.

It was the first time I went to a 3D theater. I tried to watch Bolt when the technology arrived to my town, but for some reason the projector was broken and I had to watch the "normal" version. The effect is really cool, and I think that Coraline producers had used it very well, because it wasn't painful on the eyes as the trailers that preceded the movie: Monsters Vs Aliens and Up. These made me ponder if I could stand two hours of that gimmick.

And I must say I'm really happy to see such film as Coraline to be released. In times when we notice more and more safe stories and "family-friendly" movies, it's really comforting to know that there is a studio which is brave enough to put money, freedom and trust in the hands of a director, as Laika did with Henry Sellick.

In a recent post on Cartoon Brew made when the movie opened in US theaters, there are some excerpts of interviews with both Henry Sellick and the author Neil Gaiman. The text makes it very clear about this Laika's position of looking for a new market instead of trying to jump into that over saturated Pixar/DreamWorks "style". I'm cheering for Laika, and I hope to see much more from them. :)

To get an idea of how bold they were, without worrying about pleasing each one of the viewers: there was a little boy on the line behind us who cried for the entire second half of the movie, scarred by the villain and the problems faced by Coraline. Honestly I found it great (not that I'm into making little kids cry) because it shows how the producers and the director were competent enough to make a honest and convincing movie.

Congratulations to everyone who worked on this movie: you've created something really remarkable. :)

(1) Comments

23/Feb/2009
Vinícius Kran said:

cara.. nem fale.. bonecos pequenos, materiais simples... muito lindo e aplicação de tecnicas de animação tradicional impecáveis....não da pra reclamar de computador ruim ou programas caros.. hoje da para fazer produções fantasticas com muito pouco.. informação ta ai... estudo e mais estudo... chegaremos lah..
ABRAÇO!!!
da uma olhada:
http://www.studiodaily.com/main/technique/tprojects/Director-Henry-Selick-on-Coraline_10448.html