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Virgilio Vasconcelos

Virgilio Vasconcelos' keywords: Art; Krita; OpenToonz; Noam Chomsky; Free Software; Remix; Democracy; Python; Fedora; Blender; Bernard Stiegler; Pierre Bourdieu; Perspectivism; Jacques Derrida; Copyleft; Donna Haraway; Rigging; Paulo Freire; David Graeber; Diversity; Education; UFMG; Ubuntu; Michel Foucault; Animation; LUCA School of Arts; Ailton Krenak; Decolonial thinking; Open Access; Gilbert Simondon; Privacy; Research; GNU/Linux; Heterotopias; Punk Rock; Re:Anima; Digital Arts; Technics; Gilles Deleuze; Cosmotechnics; Digital Animation; Debian; Re-existence.

About

I'm an Animation Professor at LUCA School of Arts, campus C-mine in Genk, Belgium. I teach at the Re:Anima Joint Master in Animation and I'm a senior researcher at the Genk Research Unit, in the 'Critical reflections of and through animation' cluster. My research interests include philosophy of Technics, power relations inscribed in and reinforced by technical objects, and decolonial perspectives in animation. Previously, I was an Animation Professor at Universidade Federal de Minas Gerais (UFMG), in Brazil. MFA and PhD by the Graduate Program in Arts at EBA/UFMG. I'm also a free software advocate, animator, rigger and I also like to code. You can see some of my works and know a bit more about me at:

ORCID LUCA School of Arts/KU Leuven LinkedIn YouTube



Blender Animation Book

I've written a book about Rigging and Animation in Blender for Packt Publishing. You can get the files here.

Old Blog

Yes, I had a blog. Haven't updated it since 2011. Anyway, if you need something from there I have kept backwards compatibility and you can read it below.

Who likes Disneys cheapquels?

It seems that Dan Kois does at the point he decided to write an article to defend them.

It's a well written article, that praises the quality of those productions. He says that these sequels worth no less than those CG productions with lots of fart jokes and pop culture gags.

I agree we have quite a lot of awful movies (1, 2) nowdays, but I don't think that this alone justifies these "easy money back" effort from Disney.

The technical quality of these sequels is great? I think that's a pretty obvious statement when we think about how many gifted artists work at Disney.

The problem is how they get a story which stands for itself and try do extend it to another one, telling what happened after the "lived happily ever after". Don't you think that a movie called Cinderella III sounds a bit strange? What about Bambi II?

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