Virgilio Vasconcelos' keywords:
Digital Animation; Fedora; UFMG; Animation; OpenToonz; David Graeber; Gilbert Simondon; Technics; Krita; Free Software; Jacques Derrida; Ubuntu; Michel Foucault; Perspectivism; Ailton Krenak; Open Access; Cosmotechnics; Democracy; Heterotopias; Remix; Re:Anima; Bernard Stiegler; Research; Gilles Deleuze; Punk Rock; Rigging; Digital Arts; Python; GNU/Linux; Diversity; Education; Copyleft; Art; Debian; Donna Haraway; Privacy; Pierre Bourdieu; Decolonial thinking; Noam Chomsky; LUCA School of Arts; Paulo Freire; Blender; Re-existence.
About
I'm an Animation Professor at LUCA School of Arts, campus C-mine in Genk, Belgium. I teach at the Re:Anima Joint Master in Animation and I'm a senior researcher at the Inter-Actions Research Unit. My research interests include philosophy of Technics, power relations inscribed in and reinforced by technical objects, and decolonial perspectives in animation. Previously, I was an Animation Professor at Universidade Federal de Minas Gerais (UFMG), in Brazil. MFA and PhD by the Graduate Program in Arts at EBA/UFMG. I'm also a free software advocate, animator, rigger and I also like to code. You can see some of my works and know a bit more about me at:
Yes, I had a blog. Haven't updated it since 2011. Anyway, if you need something from there I have kept backwards compatibility and you can read it below.
The original name is "Братья пилоты готовят на завтрак макарончики", and I have no idea on how to say that. But the animation is so brilliant that I think it is worth learning. :)
"Pilot-Brothers cook macaroni for breakfast" would be the English name for this Russian short, produced in 1996 by Pilot Studio.
I met their beautiful work yesterday, at the celebration screening for the International Animation Day. There was some cool shorts there, others not so much, and then there was the Russian ones. In my humble opinion, they really stood from the crowd. I loved their style and nonsense humor.
Besides talking Overlap in the beginning of the article, the author aknowledges in the comments section that he is actually talking about follow-through. But once you're warned about the actual principle being talked about, it's a great explanation. :)
October 28th, 1892. In that day, the first public presentation of the Theathre Optique was made by Charles-Emile Reynaud. A moment that marked the birth of the magnificent art of Animation. That was before the first film projections by The Lumiere brothers, it is nice to notice.
This day was chosen for obvious reasons to celebrate the International Animation Day. Since 2002, ASIFA promotes a global celebration event on this day. Folks who live in Brasil can participate in one of the various cities involved. :D
From time to time I stumble upon some nice articles on John Lasseter.
This one, by The Hollywood Reporter talks a little about the story of a guy who was fired from Disney. A few years later, he became one of the most influential people in the history of animation and, in a stunning turn of events, became the Chief Creative Officer of the same company that fired him in the past.
One of them, as noticed by Matt, is by Big Buck Bunny animator William Reynish. The title is "The evolution of Blenders User Interface", and it is a great study on how Blender's interface was built and what should be improved to the next major version (2.5).
There are some really clever and important notes on the interface that could really improve Blender's UI. I really recommend you to watch it and, if possible, help contribute with this new version. :)